We wish Selva works with a better CG team in the future. On the downside, the second half is predictable and the climax VFX portions fall short. Both the numbers are a kind of tribute for Janakaraj and Sivaji. The choreography in Pondatti Ooruku Poita and Kannungla brings the roof down. Nandita Swetha has dark shades to her role and she has good scope for performance in the second half. Regina as the God-fearing Mariam looks earnest, she has a well-written role. Undeniably, Ramsay is one of the finest yet entertaining characters of SJ Suryah. His histrionics remind us of Sivaji Ganesan and Major Sundararajan, we could also witness traces of Selvaraghavan film heroes. SJ Suryah completely steals the show as the lecherous businessman with a deadly performance. The entire setup is the home ground for Selva and he hits the ball out of the park. The story might sound as old as the hill but Selvaraghavan's stylish execution is the biggest highlight. The second half is all about how Mariam takes revenge against Ramsay, the face of evil. Now the cunning Ramsay sketches a plan and things turn ugly, that Mariam loses her life. Mariam is aware of Ramsay's move but she decides to stay on, for the sake of Rishi, the little kid of her employer. Ramsay is also a pervert who is lusting after his maid Mariam (a God-fearing Regina Cassandra who has refused to marry as she wants to serve Jesus and the needy). He behaves and projects himself as an obedient husband to Swetha (Nandita Swetha), who the reason behind his luxurious life. Ramsay aka Ramaswamy ( SJ Suryah) is a greedy industrialist who has climbed up the ladder through shortcuts in life. Nenjam Marappathillai is a comeback-of sorts film for Selvaraghavan, who is often celebrated, as one of the best directors in the Tamil film industry.

Film antichrist